This image includes three of my favorite things. Vinyl, cacti, and mustard yellow. The image comes from the Antwerp apartment of Belgian model, Anouck Lepère. The colors are sumptuous and savory. Swoon. -e
I stumbled upon these images this morning and fell in love with this model, Edie Campbell. This is an editorial in Jalouse magazine from February of this year and the piece highlights these succulent floral digital prints. The styling is what caught my eye initially; I fell for the mixture of tousled hair and pristine blossoms. (I did some Photoshop magic on them to give them a little spice... I need all the practice I can get). This blazer to the right is amaze-balls. That turquoise color makes my heart skip a beat. In other news, I got a job working for a printing company in the lovely Niagara Falls. They specialize in reflective ink and vinyls, and have a worldwide patent on a new heat transfer technology (which is pretty cool). I'm a really basic designer and just prep designs for print but HEY, it's something. And stay tuned for more items to be sold at August's First Friday!! ;D
In preparation for August's First Friday & the Infringement Festival, I wanted to introduce a new project that is super easy to do, as well as inexpensive to create. However, for those who don't have the DIY bug, I will have a few for purchase on August 3rd in front of Indigo Gallery along with my posters and shirts. My mother bought me a few packages of very large painter's drop cloths almost a year ago thinking that I might be able to turn them into hand-painted floor mats. My whole senior year later, I finally have time to experiment with them! Painter's drop cloths are very inexpensive, very large pieces of canvas used to protect the floor when painting a room. They also have a very thin layer of waterproofing on the bottom to prevent any paint from seeping through onto the floor below. I saw on one of my favorite blogs (designlovefest - a true inspiration) that they were transforming the drop cloths into colorful picnic blankets using spray paint! I thought I would take it a step further and make a more intricate design with more involved painting techniques. (This isn't the most original project but it's super easy to do yourself, again very inexpensive to create, and very useful!!)
I started by measuring out the desired size of the picnic blanket. One of my drop cloths is very long and thin (46"x120") so I stuck with the width at 46" and squared it off with another 46". This is a near perfect size blanket for two to three people and some snacks :). I ironed the whole piece so that the surface would be easier to stencil and paint on. I then started sketching to see what kind of design I wanted. For my first piece, I wanted to stick with something very simple and utilise one shape in my design that could be repeated and manipulated. I made this stencil of the shape I was using for my design. It is made from Bristol Vellum paper. Bristol is a thick, smooth paper that is used mostly for mounting but it works well for stencils because it doesn't immediately become saturated with paint, thus compromising the edges of your design. I edged it up with some blue painter's tape to make it easier to tape down to my surface without ruining the stencil.
I wanted a concentric design and found some inspiration from quilt designs; they are generally very geometric with simple repeating layouts so it was perfect for this project. I used a Singer Disappearing Ink marker so I could map out my design first and get an idea of what it would look like. I found the center of the cloth, and worked me way out from there. After some trial and error, and making a lot of marks, I decided on my final design and darkened up some of the lines so that it was easier for me to decipher when I started painting. Don't be afraid to use this marker and lay it on thick!! It is one of my favorite tools in my studio and it really does disappear after about 24 hours or a good wash.
After completing my layout, I then had to decide what colors to use (this is always a big ordeal for me). Lately I have been really in love with purples and oranges and how they interact (this is also evident throughout my senior thesis show) so I chose yellow, orange, red, and purple. I knew I wanted to create an ombre look within the geometric shapes to spice it up a bit so an analogous color scheme was important! I am using acrylic paint because after it dries it is NOT water soluble, meaning it will not come off in the wash. You may also use latex or enamel house paint if you have that lying around. To the right are the colors I mixed. Word to the wise: NEVER use the colors right out of the tube. Those colors are like that for a reason; they are highly saturated and true colors so that when mixing colors, you are able to do so with more accuracy. All of the colors you see on this piece were mixed using at least three or more colors (believe it or not). All of the colors needed to be mellowed out and in order to do this I added the COMPLEMENT of each color I was mixing - opposite colors on the color wheel. For example, to tone down orange you add a very tiny amount of blue. Or to tone down purple, add a VERY tiny amount yellow. This will allow you to attain unique colors, and colors will live much happier together :).
To begin painting, I placed my stencil on the canvas in the middle of the design and taped down the edges with more blue painter's tape. I used a large brush and put the paint on relatively thick since the canvas really soaked it up. Some dabbing may be required to really cover the surface of the canvas. To get the ombre look, I started with my lightest color and moved up in stages from there. Use light brush strokes to mix the two colors together and never let the paint dry before you get to blend them. I wouldn't use more than three colors at a time within one stencil. The space isn't large enough and you'll end up with some really muddy colors.
Repeat these steps with the stencil over and over until you complete the design. I changed around the direction of the ombre but kept it symmetrical. Don't be afraid to experiment with this technique; change around the proportions of the colors or the direction of the fade. I never really had to clean off my brush since the colors were all blending together anyway. Half way through, however, I did have to make another stencil because my first one was getting soggy and I was having some bleeding around the edges.
And voila!! Here is the final product. I stuck the whole piece in the washing machine as soon as all the paint was thoroughly dry (which took a few hours) and then hung it up to dry outside!! The disappearing marker disappeared and it softened up the canvas a bit. I added some white details in the corners and I'm really liking how it looks against the natural canvas so I think I will be expanding on that.
It is a bit rainy here in Buffalo, or else I would have gotten some action shots of it being utilized! Hopefully on the next sunny day I can take it over to the park for a nice late lunch by the lake. Oh and there's my little dog Arrow trying to get into the picture. Hope everyone enjoyed this super simple project :) -e
So I've run into a trifecta of last-minute decisions making problems over the past two weeks. I went to Camp knowing of the decisions I had to make upon my return, but I turned off the real world for a few days and now I'm right back in the ring. I have to decide between a job that I somewhat recklessly accepted a month ago, which pays less than minimum wage but makes up for in enriching experiences; and a position in a large company that I may be offered today, which is in the textile field with room for advancement. I hate to be identified as someone who cannot follow through with commitments but something in my gut is telling me that I must stay focused on my field. (That is how I feel right now -->) On a lighter note, I will be participating in the First Friday/Infringement Festival of Buffalo on August 3rd (by the way they desperately need a redesigned website). I will be stationed, with my DIY goodies, in front of Indigo Art Gallery at 74 Allen St. I am really excited about this opportunity to get my stuff out there, especially since I will be working with such an amazing gallery. I hope to see a lot of familiar faces discovering new art at the Infringement Festival; it is such an amazing event for local underground art. PLEASE check it out!! I'll be making more pillows, crafting a better way to display my posters, and hopefully getting more t-shirt designs out there. -e
My boyfriend Clifford and I are returning to Camp Bisco this year, doing a solo mission for the Moon Unit (along with Ailsa the wood nymph). I am so ready to check out for a few days. No electricity means no cell phone, no computer, and especially no internet (Okay maybe some Instagram...). These pictures of jet trails over London really hit home for me right now. They are extended exposure photographs of the sky at dusk by Joel James Devlin. The aloofness and serene quality of them are untouchable.
I've been listening to this band Rubblebucket a LOT the past week (I will admit that I get addicted to specific artists and vastly exploit them for a week or two). Their remix album of Omega La La is UHmazing. Check out one of the tracks below... I'll be seeing them on Thursday at 5pm on the Main Stage ;)
Also check out the high res images of these jet trails on his website. Breathtaking simplistic detail!
I ran into these images on the Sartorialist a few weeks ago and the prints made me stop and stare. This is Burberry Men's Spring/Summer 2013 line and I am amazed at Burberry's ability to create something so fresh and so familiar at the same time. The composition is reminiscent of retro silk scarves: simple, colorful and exceedingly geometric. There is something to be said for simple textile design.
You could make the mistake of saying these prints are busy and hard to actualize on the street but the way Burberry mixes the statement designs (jacket), with smaller coordinate designs (tie and shirt) creates a glorious path for the eye to move around in amazement and comfort.
The colors are spot on, and of course that makes me melt.This is a splendid statement for the upcoming Spring season, and I can't wait for the design to trickle down to the waiting masses. I am starting to question that metallic magenta man clutch down there on the right however... I'm going to be honest and say I was so entranced by that purple jacket that I barely noticed it until now.
Despite the bag, I hope all dapper gents out there adopt this magnificent trend. Now I have to stock up on YSL silk scarf design inspiration.
I have been hanging out in gardens a lot lately and the lovely Lantana flower struck my fancy. I fell in love with the colors and geometry of the maturing petals. The flowers move through phases: each stage becoming more beautiful than the last. The image to the right shows the Lantana just before opening. Below are the blossoms, effortlessly and elegantly transitioning from one hue to the next. Florals have always and forever been a major corner of the market in textile design. They have been done every single way in every single style so it is very hard to conjure up a fresh look with florals. That is where personal style comes in. Anatomical representations of flowers don't require much consideration when you already possess the drawing talent, so personal style is where you can earn some originality points.
I whipped out my watercolors and started playing around. I wanted to abstract the shape of the flower and maintain a free-hand look. However to highlight the strong geometry of the bud seen above, I created a more synthetic looking motif to lurke in the background (literally). I wanted to preserve the watercolor elements, so I placed the motifs on the original texture of the paper. The evolving coloration in the petals translated perfectly into the loose watercolors.
This is a very basic repeat setup, and the beauty of Computer Aided Design (CAD) is that I can create 30 more samples using these motifs with much less effort than with a hand-drafted pattern. I expect to take these motifs a little further, creating a more intricate design as well as smaller coordinates. Maybe I'll throw in a stripe if I'm feeling giddy. It feels amazing to get back into painting; I haven't dedicated this much time to painting in months and months (there was quite a dark period there, post-stolen-gouache). I have some crafty projects that I have been working on, requiring a few posts, so until next time.. -e
I am really excited to say that I may be involved in another art fair the first week of August (!!!). I have been trying my hardest to get back into the groove of creating, however it isn't as easy as it sounds. After five long years of having my studiomates around to bounce ideas off of, my little studio here is feeling a bit lonely.
I met with my good friend Kelly yesterday to drink some cold beers in the park, and of course we got to talking about design. We both are very driven to work with our hands and we continue to throw around the notion of further collaborations. But we began discussing how to keep going and how to stay true. I see a lot of crafters jumping on bandwagons and following trends, identifying what sells and what doesn't. I guess you could call it selling out, but I'm talking on a very small level: crafters like me who are trying to find a voice but also want to make a dime doing it. Can you, as a crafter, justify recreating some pieces you saw on Etsy or at Anthropologie ( and that is a whole other box of worms that I will open at another time) because you know they will sell?